The parallels between Genesis 1 and
2 have been noted many times before. Both texts begin with the primeval
description of the chaotic state. In Genesis 1, the chaotic state consists of a
world that cannot be inhabited by humans, is dark, and is covered by water. In
Genesis 2, the chaotic state is described as the uncultivated wilderness that
simply exists that way because there is no human to cultivate it. In both
accounts, chaos exists because humans either cannot or have not inhabited the
space over which those chaotic elements dominate.[i]
The solution provided in both texts
is a full reversal of the chaotic state that calls for the deity to reorder the
world in a way that is congenial to human existence, and finds its fulfillment
in the formation of the world into a cosmic or localized temple, expressed in
terms of all of the elements in Genesis 1 or simply localized as a garden in
Genesis 2.[ii] In each of
these cases, the final step of creation is to place the human image/clay figure
into the sanctuary that has been made in order to have mastery over that
particular sphere.[iii]
Correspondingly, the human male and
female are created as the appropriate masters over the plants and animals in
both accounts, equal to one another, but different from the animals with whom
they would not be capable of carrying out the procreative command (cf. 1:27–31
with 2:18–25).
The Commands of Genesis 1 and 2
What has often been overlooked,
however, is the parallel between the commands that suggest the means to carry
out their rule over the whole of creation. In Genesis 1, the command to
procreate is the means through which the image that represents God’s rule is
spread over the whole earth. Thus, the man and woman become like an image of
God through the act of procreation. Their rule stems from their subjection to
the deity as His emissaries to all creation. As the image is multiplied through
the earth, the world becomes filled with temples that duplicate the
proto-sanctuary, representing God’s rule.[iv]
The fact that the procreative
command is the means through which they will rule over the earth, and
therefore, function in a role similar to that of the deity’s image in a temple,
is seen in the progressive delineation of the command.[v]
ויברך אתם אלהים ויאמר להם אלהים פרו
ורבו ומלאו את הארץ וכבשה ורדו בדגת הים ובעוף השמים ובכל חיה הרמשׁת על הארץ
God
blessed them; and God said to them, "Be fruitful and multiply in order to
fill up the earth, [fill up the earth] in order to subdue it; [subdue it] in
order to rule over the fish of the sea and over the birds of the sky and over
every living thing that moves on the earth."
The command to procreate and fill up
the earth, then, is the means through which the subjection and rule of creation
takes place. The more God’s image, as it were, is multiplied, the better His
absolute rule over the world is represented.
In Genesis 2, chaos, the temple, and
the couple are all present in the narrative, but where is the procreative
command to complete the parallel? I would suggest that the command is, indeed,
present in the form of the two trees that are contrasted, i.e., tree of life,
representing the positive and the tree of the knowledge of good and evil representing
the negative (an aspect of the command not pursued in Genesis 1, but now
necessary to set the background of Genesis 3.[vi]
In fact, it should seem obvious that
the ‘tree of life’ may in some way be connected to procreation rather than
individual immortality, since the phrase that “it is not good for man to be
alone” has to do with his inability to reproduce.[vii] Hence, the
woman is created in order to become one flesh with the man for the purpose of
reproduction. If individual immortality were strictly in view here, the
creation of gender distinctions in the male-female relationship, paralleled to
1:27, would not seem as urgent as the text suggests. It may in fact be,
therefore, that God was not offering the primeval couple something in the tree
of life that would cause them to live forever as individuals, but rather that C(
represents the fruitful sexual act (hence, the emphasis of partaking of the
fruit from the tree) and the life that is produced through that sexual act
refers to procreation.[viii]
Contrary to some of modern
scholarship, it is likely that the contrast in Genesis 3 (i.e., that the man
will die and return to dust) is sufficient enough to understand that the couple
most likely already possessed the possibility of individual immortality, if in
fact they subjected themselves to the command of procreation in their use of
the sexual act.[ix]
In recent years, there has been a
plethora of suggestions by scholars that the tree of the knowledge of good and
evil in some way refers to the human couple partaking in the sexual act.[x] However, it
is the Tree of Life, not the Tree of Knowledge that represents the procreative
sexual act that helps the reader understand the nature of the sexual
offense that is symbolically described as the Tree of Knowledge. The
implication that the parallel between to the two chapters suggests for this
interpretation of the ‘tree of the knowledge of good and evil’ is that it is at
least a generalization that fails to describe what kind of sexual act is being
performed, or at most a misidentification that fails to note the parallel
between the procreative command and the tree (i.e., the sexual act) that
produces life.[xi] It may be a
misidentification in that the tree of life, that is, the command to partake of
it, if paralleled to the command in Genesis 1, is the tree that represents the
procreative sexual act, not the forbidden tree. It is a possible generalization
in that the forbidden tree may in fact represent the sexual act, but one used
for the human couple’s own purposes rather than a procreative one. Hence, the
author presents the sin of the human couple as seeking equality with God, who
is capable of experiencing order and chaos without losing His immortality. They
soon discover that they are not capable of accomplishing this feat, and as soon
as they partake of it, they are ashamed of the unproductive sexual act that
they have committed. Hence, the couple is afraid of God due to the fact that
they had committed a sexual act that did not accord with their creation as
God’s representatives. In other words, their sexual act was performed in order
to attain an understanding of something that was chaotic, something that did
not run congruent with life, but rather countered it.[xii]
Hence, the tree of “the knowledge of
good and evil” should really be seen in terms of creation, i.e., in terms of
experiencing order and chaos.[xiii] If this
is the case, then the contrast to the tree of life, that is most certainly to
be taken as a parallel to the command in Genesis 1:28, is apparent. Partaking
in the procreative sexual act flows with God’s creation, obeys His command, and
completes humankind’s purpose of representing God as an image in a temple would
represent the sovereignty of the creator deity over chaotic elements in the
world. Contrary to this, however, the tree of the knowledge of order and chaos
symbolizes self indulgent desire and by it the human couple seeks to become
‘like God’ rather than ‘like God’s image’, not through procreation, but through
partaking in the sexual act in a chaos producing manner. The rest of the book
will present both order and chaos (i.e., good and evil) as the lasting legacy
of the primeval couple, the chaos stemming from the humans He created (e.g.
4:25; 6:13; 50:20a) and the order coming from God’s interventions in the world
(e.g. 4:8; 6:17–18; 50:20b).[xiv]
Yet, even with the erotic language
that is used throughout the narrative (e.g. the symbol of the snake as one of
fertility, the tree perceived by the woman as good to taste and touch, the text
explicit about the nakedness of the couple, the terminologies of trees bearing
fruit in a garden setting that recalls ancient Near Eastern symbols of the
sexual act, etc.) it is possible to reject that the forbidden tree represents
participation in a sexual act per se.
To this, I would say that it is at least important to note that whether the
forbidden tree symbolizes a non-procreative sexual act or simply the shunning
of that act through another, it should be observed that it is in contrast to
the command concerning the tree (i.e., the sexual act) that produces life and
places the human couple in subjection to God’s program representing His
sovereignty over chaos.
Having acknowledged the possibility
that the Tree of Knowledge may not be sexual in nature, it is important to
point out that the ancient Near Eastern parallel found within the Gilgamesh
Epic is explicitly concerned with Enkidu’s participation in the sexual act as a
means to obtain the wisdom of a god. The text is as follows:
But as for him, Enkidu, born in the
hills—
With the gazelles he feeds on grass,
With the wild beasts he drinks at
the watering-place . . .
The lass beheld him, the savage man,
The barbarous fellow from the depths
of the steppe:
“There he is, O lass! Free thy
breasts,
Bare thy bosom that he may possess
thy ripeness . . .
She laid aside her cloth and he
rested upon her.
She treated him, the savage, to a
woman’s task,
As his love was drawn unto her.
For six days and seven nights Enkidu
comes forth,
Mating with the lass . . .
Enkidu had to slacked his pace—it
was not as before;
But he now had [wi]sdom, [br]oader
understanding . . .
The harlot says to him, to Enkidu:
“Thou art [wi]se, Enkidu, art become
like a god![xv]
The idea that one becomes wise and
like a god through sexuality is quite interesting. Enkidu is at first a wild
man, but through the sexual act, obtains the wisdom of a god. The sexual act
with a harlot, therefore, was not for the purpose of procreation, but practiced
for the purpose of gaining pleasure, experience, and the power of
understanding. Similarly, in Genesis, the human couple seeks the experience of
order and chaos that only God can control. The sexual overtones of the passage,
coupled with the parallel, suggest that this sort of deification was thought to
be given by an individual’s control over the sexual act (i.e., the creation or
hindrance of life itself, or the ‘opening and closing of the womb’). Whereas
the human couple was meant to use the sexual act for God’s purposes of filling
up the earth, they now sought to use it for their own purposes in obtaining
power over life, i.e., the power to create or hinder life through their control
of the sexual act.
Another example of this might be
found in the flood narrative. After the deluge has ended, God restates man’s
purpose as His image and gives the command to be fruitful and multiply. After
this, Noah plants a vineyard, becomes drunk with wine (i.e., the fruit of the
vine), and is naked. The images of garden, fruit, and nakedness are all
reminiscent of the garden situation in Chapter 2; but the sexual symbols of the
trees might also be observed in this story in the sense that Noah’s two good
sons do not look upon his nakedness, treating sexuality within the appropriate
boundaries in which it is purposed in Genesis. Ham, however, looks upon his
father’s nakedness. Both Ham and Eve are said to ראה as a part of their transgression. Like YHWH in the garden,
once Noah becomes aware of this transgression, he deals out a curse to the
offending party.
The Tree of Knowledge, therefore,
symbolizes the sexual act performed for this purpose, and the Tree of Life
symbolizes the sexual act performed for God’s.
With this latter tree, therefore,
the parallel between the two first chapters of Genesis is complete. In other
words, the command given in the negative relates the idea that the human couple
ought not eat of the fruit of the Tree of Knowledge because it is contrary to
the eating of the fruit of the Tree of Life.
The humans will now become like
gods, although still not gods, through the experience of order and chaos
without the ability to sustain themselves from death/chaos, with the exception
of when the procreation command is fulfilled through them. In other words,
their only hope out of the death gained from the tree of the experience of both
order and chaos is to obey God’s original command concerning procreation. It is
through obedience to this command that the couple may yet find immortality,
i.e., through their children. H, therefore, sets its sights on the reader, who
although experiencing the same reality of order and chaos inherited from the
primeval couple, may find immortality through the procreative use of the sexual
act in service to God’s image and what the divine victory over chaos that it
represents.
A Possible Objection
An objection might be found in the
statement made by God after He has passes down His verdict upon the guilty
parties in 3:22.
ויאמר יהוה
אלהים הן האדם היה כאחד ממנו לדעת טוב ורע ועתה פן ישלח ידו ולקח גם מעץ החיים
ואכל וחי לעלם
And
YHWH God said, “Behold the man has become like one of Us in order to experience
order and chaos. So now, lest he stretch out his hand and take also from the tree
of life, eat, and live forever . . .
It would seem on the surface that
the tree of life is to be identified with the mythical tree in ancient Near
Eastern thought that grants eternal life to the one who eats from it.[xvi] There is
no doubt that this imagery is being employed here; but the issue is whether
that symbolism has been transformed to meet the procreative concerns of the
author. If we understand that the central concern of God in Genesis 1–3 has to
do with expressing His victory over chaos in the world accurately (i.e.,
understanding "chaos" as a humanless world that does not support
human life), then we will see how the reintroduction of that chaos, where God
is no longer seen as the supreme ruler over it in His sanctuary, becomes a
major issue in His pursuit to establish the appropriate order in the universe.
The terror expressed in the use of aposiopesis, therefore,
would not be one expressing the idea that God merely fears the human couple’s
pursuit of individual immortality.[xvii] Instead,
God’s concern seems to be that the man and woman would reassert their dominance
in the garden through procreation if in fact they then performed a procreative
act and reproduced within it. In other words, the concern is with the humans
desecrating themselves as God’s images, bringing chaos into the sanctuary
through subsequent agents, and overturning the creation that God has made
forever. God does not wish the couple to stay forever in this place, having now
allowed chaos to enter into the human experience. In other words, to procreate
in the garden now would only be to spread chaos throughout the sanctuary. The
solution, therefore, is to send them out of the garden in order to cultivate
the field instead, and for God to transform them back into His images, and
subsequently the world, back into His purified sanctuary, which is a message
that the rest of the Bible conveys. This same concern seems to be at play in
the Tower of Babel incident, where the humans have exalted themselves within a
temple, and again, through hubris and gathering together in one place, forgo
the divine command to fill up the earth. The language there also mimics that
found in 3:22. In any case, there seems to be a divine problem with humans
accumulating divine power and procreating in
one place. Whether it is because this would set the sanctuary in
disorder and ruin creation, or it is simply because humans must pursue life
elsewhere now that the choice to experience both order and chaos has been made,
H presents the need to expel the couple from the created order into the
“uncreated” lands as an act that mimics that of the sexual mores of ancient
Israelite society, since one is expelled from the holy and ordered camp for
participating in sexual acts that threaten its productivity (Lev. 18). To do so
is to partake in sexual relations for the purpose of becoming כאלהים “like God” rather than for the
purpose of becoming wntwmdk ‘like Our [i.e., God’s] likeness’ and wnmlcb ‘as
our [i.e., God’s] image’. In this sense, the fear that humans will procreate
within the garden as a means to their own exaltation as gods, a horror too
great to verbalize in v. 22, as chaos is something humans are incapable of
controlling, rather than maintaining their intended roles as images within
God’s sanctuary as a testimony to His mastery over chaos, becomes the primary
catalyst for their swift exit from the garden.
Conclusion
The
parallel between Genesis 1 and 2 is complete only when the reader also
identifies the commands as parallel. Once this is done, the command to abstain
from the tree that brings the experience of order and chaos, rather than just
order, is a negative way of reasserting the procreative aspect of the
male-female union of the sexual act by presenting its alternative as bringing
death instead of life. Conversely, the tree of life has been employed by H in
an effort to bolster this symbolism from the positive. The trees most likely
both retain their basic ideas of individual immortality on the one hand and
that attainment of special knowledge on the other; but the added nuance of the
text causes the reader to imagine a second reference to sexual acts, expressed
through vivid imagery intended to resonate with the ancient audience. This
leads me to conclude that the fruit, the trees, and the garden itself, combined
with the imagery of the male and female relationship in becoming one, have been
employed to conjure images of the sexual act in the minds of the readers in an
effort to make a connection between the procreative command of Genesis 1:28 and
the command to not eat of the tree of the knowledge of good and evil, as it is
joined to the imagery of the tree producing life. We may, therefore, establish
the corrected parallel as follows:[xviii]
Genesis
1
|
Genesis
2
|
Chaos exists because humans are not yet created (v. 2)
|
Chaos exists because humans are not yet created (v. 5)
|
Chaos is reversed when God orders the elements and
constructs a temple (vv. 3–25)
|
Chaos is reversed when God orders the elements and
constructs a temple (vv. 8a, 9–14)
|
Chaos finds its ultimate reversal in the creation of
humankind, distinguishing genders for the purpose of sex, male and female, as
His image bearers (vv. 26–27)
|
Chaos finds its ultimate reversal in the creation of
humankind, distinguishing genders for the purpose of sex, male and female, as
God’s clay image into which He must breathe, i.e., perform the opening of the
mouth ritual (vv. 7–8, 15, 18–25)
|
God ensures the correct expression of His victory over
chaos by commanding the human couple to procreate and fill up the earth with
human life (vv. 28–31)
|
God ensures the correct expression of His victory over
chaos by commanding the human couple not to eat of the tree that ultimately
produces death, but instead to eat from the other trees, with the narrative
specifically emphasizing the tree of life (vv. 9 and 16)
|
It is not until Chapter 3, of course, that there is need to
remove the humans from the sanctuary in an effort to preserve the created
order, and therefore, ironically, human life as well.[xix]
Genesis 1 and 2, then, provide the basis for seeing the trees as relating to
human sexuality, and their reflection of the author’s concern for
appropriate sexual practices that seek to grow rather than decrease the size of
the covenant community that is currently under a population threat created by
the Babylonian exile, a concern rooted in the morality of the creation ethic upon which he bases his argument.[xx]
[i][1] It is
clear, from both accounts, that the dominance of chaos is signified by the
absence of humans. The phrase whbw wht
refers to a place that is neither habitable or inhabited by humans (see the use
of whb that suggests animals may live in a place that is wht and whb,
but humans do not (Isa. 34:10–12). See also David Tsumura (Creation and Destruction: A Reappraisal of the Chaoskampf Theory in the
Old Testament [Winona Lake, IN: Eisenbrauns, 2005], 9–35), who sees the
terms as describing an “unproductive
and uninhabited place.” Furthermore, not only is this state ultimately reversed
when humans are created in 1:26–31, but the fact that human absence allows
chaos to thrive over order and life is explicitly asserted in 2:5.
[ii][2] Jon D.
Levenson, Creation and the Persistence of
Evil: The Jewish Drama of Divine Omnipotence (Princeton, NJ: Princeton
University Press, 1988), as well as his "The Temple and the World" JR
64 (1984) 275–98; John H. Walton, “Equilibrium and the Sacred Compass: The
Structure of Leviticus” BBR 11.2
(2001) 295, as well as his The Lost World
of Genesis 1: Ancient Chronology and the Origins Debate (Downers Grove, IL:
IVP Academic, 2009); and M. Weinfeld, "Sabbath, Temple and the
Enthronement of the Lord: The Problem of the Sitz im Leben of Genesis
1:1–2:3," in Mélanges bibliques et orientaux en l'honneur de M. Henri
Cazelles (ed. A. Caquot and M. Delcor; AOAT 212; Kevelaer: Butzon &
Bercker / Neukirchen-Vluyn: Neukirchener Verlag, 1981) 501–12. Gordon J.
Wenham, “Sanctuary Symbolism in the Garden of Eden Story,” in The Proceedings of the Ninth World Congress
of Jewish Studies, Division A: The Period of the Bible (Jerusalem: World
Union of Jewish Studies, 1986), 19–25, and reprinted in Richard S. Hess and
David T. Tsumura (ed.), I Studied
Inscriptions from before the Flood: Ancient Near Eastern, Literary, and
Linguistic Approaches to Genesis 1–11 (SBST 4; Winona Lake, IN:
Eisenbrauns, 1994), 399–404.
[iii][3] The ‘image’
symbolism is clear in both texts. In Genesis 1, the image is set within the
cosmic temple when it is finished and as a precursor to the deity’s resting
within it. In Genesis 2, the man is made out of clay and then breathed into by
God, an act reminiscent of the “opening of the mouth” rituals found within a
wide range of evidence from Egypt to Mesopotamia. The clay figure is then
placed within the garden sanctuary. Furthermore, although the terminology of
the human’s creation to לעבד את האדמה ‘to work the
ground’ is characteristic of Mesopotamian anthropogonies, the clarifying
description found in the phrase used when the human is then made describes the
work of the priests in the sanctuary, i.e., לעבדה ולשמרה ‘to till and
keep it’ (G. Wenham, “Sanctuary Symbolism,” 401–2), and we might suggest
that the priests ordering of the temple could be related to the ordering of
creation the cult image accomplishes for society.
[iv][4] This may
also provide an answer as to why God is so concerned about the humans eating the
tree of life and taking over the sanctuary after they choose to become god-like
in their experience of both order and chaos.
[v][5] This
“Imperative of Purpose” means that the preceding commands are each given in
order to accomplish the subsequent commands (Williams, Hebrew Syntax: An Outline, 2d ed. [Toronto: University of Toronto
Press, 1978], p. 35). The imperative
of the previous command is implied in each clause: Do V for the purpose of
doing W, do W for the purpose of doing X, do X for the purpose of doing Y, do Y
for the purpose of doing Z.
[vi][6] Although
there has been a trend in modern scholarship to divide the trees as belonging
to two distinct stratum (see, for instance, C. Westermann, Genesis 1–11: A Continental Commentary, trans. John J. Scullion
(Minneapolis, MN: Fortress Press, 1994), pp. 212–14), as Ellen van Wolde (Words Become Worlds: Semantic Studies of
Genesis 1–11 [Leiden: E.J. Brill, 1994], p. 32) points out that “the two
trees occur side by side in 2:9 and in 3:22 they seem to be related from the
point of view of content.”
[vii][7] One should
also compare the similarities in language between wntwmdk wnmlcb and Myhl)k, as well as with the statement wnmm dj)k hyh Md)h.
[viii][8] As argued
before from the Imperative of Purpose, it is possible to suggest that the two
elements in 1:28 wbrw wrp ‘be
fruitful and reproduce’ conveys this distinction between the sexual act and
what it produces.
[ix][9] Here we
also see a strong argument toward those scholars that suggest H as the identity
of R rather than an earlier Priestly school. See, for instance, Bill T. Arnold,
Genesis, The New Cambridge Bible Commentary (Cambridge: Cambridge
University Press, 2009), pp. 16–17; especially cf. Holiness School’s emphasis
toward expanding the morality of the cult to the entire community (Israel
Knohl, The Sanctuary of Silence: The
Priestly Torah an dthe Holiness School [Winona Lake, IN: Eisenbrauns,
2007], pp. 175–98), a tendency that finds fulfillment in Genesis 1 and 2 with
the universalizing of the temple to all of humanity’s purpose. HS is concerned
with the procreative use of the sexual act, as is evident in Leviticus 18.
Those concerns have taken center stage again in the Genesis narrative.
[x][10] E. van
Wolde (Words Become Worlds, pp.
38–39) states her observation that the narrator points to the possibility of a
sexual relation between the man and woman, but without what the knowledge of
differentiation that she perceives the tree of the knowledge of good and evil
represents, that sexual cannot be realized. Such an interpretation flows
contrary to the text, since this would make it necessary for the human couple
to disobey God in order to obey Him. Certainly, the act that the woman’s
childbearing is made more difficult by experiencing chaos (3:16), rather than
becoming more successful in the acquisition of knowledge, is a possible wrench
in her interpretation. For a similar interpretation, see Sam Dragga, “Genesis
2–3: A Story of Liberation” JSOT 55
(September 1992) 4–5, who also misidentifies the tree of knowledge as the
experience and understanding of the procreative sexual act.
[xi][11] This
interpretation would understand the construct as a Subjective Genitive (Bill T.
Arnold and John H. Choi, A Guide to
Biblical Hebrew Syntax [Cambridge: Cambridge University Press, 1993], p.
9), specifically, a Genitive of Agency (BHS
9.5.1). It is possible also to take it as a Genitive of Purpose (GKC §128q;
Joüon §129f), where the intended purpose of the tree is to produce life. Even
if one is inclined to take the Genitive as attributive or qualitative, although
it seems odd to suggest the author is merely communicating that the tree has life, this attributive or
qualitative genitive must be seen in some way as characterizing the tree’s
ability to produce life in relation to the humans who partake of it.
[xii][12] Although
Walter Vogels (“‘Like One of Us, Knowing TÔB
and RA( [Gen
3:22],’” in Daniel Patte, [ed.], Thinking
in Signs: Semiotics and Biblical Studies . . .Thirty Years After [Semeia 81; Atlanta: Society of Biblical
Literature, 1998] p. 153) is correct in asserting that the common employment of
ערומ is one of poverty and emptiness, it would seem, however, together with the
rest of the terminology and subject matter in the context, that there is a hint
toward the sexual act. In any case, the identification of the tree of the
knowledge of good and evil with a non-procreative sexual act is not important
for this study. Whether the procreative act was shunned by another act of
either a sexual or non-sexual nature is not vital to the author's argument.
[xiii][13] Ibid.,
147–50. In fact, it could be argued that the two seeds, ‘planted’ by the
serpent and the woman, represent the new world’s experience of order and chaos,
the woman producing children of order (i.e., covenant children) and the serpent
producing children of chaos. This is further represented in the Cain and Abel
story. Also, the use of the term (rz
‘seed’ bears a semiotic connection to the production of trees, both botanical
and familial.
[xiv][14] Although
with some major reservations, I side mainly with F. Landy (Paradoxes of Paradise: Identity and Difference in the Song of Songs
[Bible and Literature Series 7; Sheffield: Sheffield University Press, 1983],
p. 212), in seeing the contrast between the tree of life to be with the tree of
death, against E. van Wolde (Words Become
Worlds, pp. 34–36), who must join the aspect of knowledge to procreation in
order to get her concept that the tree of the knowledge of good and evil is
necessary for the perpetuation of human life. Her use of the pun between Mwr( and Myr(
is unconvincing, as most of the puns in Genesis are not meant to provide
evidence of an overlapping semantic domain between the two terms. Although, cf.
wht and Mwht in 1:2. However, if the two terms inform the intended
nuance, then it must also work the other way, i.e., the serpent’s knowing must
have something to do with his nakedness. Furthermore, the term is not about
“knowing” per se, as much as it is
about being aware of a weakness (cf. Prov 12:16, 23; 14:15, also cf. Job 5:12 and
15:5 that evidence the interpretation of the term by a work seeking to mimic
much of the language of Genesis (I. Knohl, The
Sanctuary of Silence, p. 167). In essence, van Wolde’s suggestion requires
the serpent to reveal his shrewdness, but the text itself describes to the
reader that the serpent used his shrewdness to deceive the woman, not to help
her (Gen. 3:13).
[xv][15] ANET3, p. 75.
[xvi][16] Cf. the
tree of immortality in the Gilgamesh Epic and that mentioned in the “The Great
Cairo Hymn of Praise to Amun-Re” (COS
1:37).
[xvii][17] This may
provide an answer as to why God does not wish the human couple to live forever
in the state that they have acquired, i.e. because they are now chaotic agents
in the world who must die lest their wickedness grow forever (cf. 6:3). It is
not simply, then, that God is afraid of others obtaining His immortality, but
of others forever destroying the world as chaotic agents. For an example of a
scholar who takes the view that God seeks to withhold His immortality from
humans out of self concern, see R. N. Whybray, “‘Shall Not the Judge of All of
the Earth Do What Is Just?’: God’s Oppression of the Innocent in the Old
Testament,” in David Penchansky and Paul L. Redditt (eds.), Shall Not the Judge of All of the Earth Do
What Is Right?: Studies on the Nature of God in Tribute to James L. Crenshaw [Winona
Lake, IN: Eisenbrauns], 1–5). Whybray, of course, does not discuss the divine
concern of humans multiplying within his sanctuary as chaotic agents, and H’s
view of the repercussions this would have upon all of creation.
[xviii][18] Of course,
the parallels between the two chapters far exceed the following chart; but I
have provided a summary of those elements that best coincide with what I have
attempted to argue here.
[xix][19] This
creates a clear disconnect from the first account in that God is able to rest
at the installment of His image in the temple, having subdued chaotic elements
in the world; but in the second account He is not able to rest, and instead
must remove the images from His sanctuary and deal with chaos once again
attempting to take over the world.
[xx][20] It is
clear that the threat is both verbal and non-verbal. It is non-verbal in that
their situation provides the basis for many to hold off from having children.
It is verbal in that it seems clear that H is concerned with the propaganda and
practices found within the Atra-hasīs Epic. See, for instance, Bernard
Batto, Slaying the Dragon: Mythmaking in
the Biblical Tradition (Louisville: Westminster, 1992), pp. 44–72; Tikva Frymer-Kensky, “The Atrahasis Epic and Its
Significance for Our Understanding of Genesis 1–9.” BA 40 (1977) pp. 147–55; Anne Kilmer, “The Mesopotamian Concept of
Overpopulation and Its Solution as Reflected in Mythology.” Or 41 (1972), pp. 160–77; Isaac M.
Kikawada and Arthur Quinn, Before Abraham
Was (Nashville: Abingdon, 1985), pp. 36–53; G.Wenham, Genesis 1–15 (Word Biblical Commentary. Dallas: Thomas Nelson,
2002), pp. xxxix, xlvii-xlix.
Although I agree
with Jacob Milgrom (Leviticus 1–16: A New
Translation with Introduction and Commentary [ABC 3; New York: Doubleday,
1991], pp. 26–29) that the Biblical writings of HS draw to a close around the
time of the Babylonian exile, the point here is not negated if one accepts I.
Knohl’s belief that the Persian period is the setting of HS's final
authoring/editing of texts (The Sanctuary
of Silence, pp. 225–30). The point is that Israelite numbers have
diminished through war and the hardship of exile. Whether they are still in
that exile or simply recovering from it, the writings of HS serve to replenish
the numbers of God’s covenant people. The point of H is to remind Israel that
the original commands given to the covenant community, represented in the
primeval couple, pertained to procreation, and the shunning of that
responsibility brought about the same kind of divine rejection and expulsion
that they have experienced in exile for their prior disobedience to YHWH God.
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